John Mayer Continuum Special Edition Megaupload Movies
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Contents • • • • • • • • • Quotes [ ] On himself [ ] • Who I am as a guitarist is defined by my failure to become Jimi Hendrix. • From his essay on Jimi Hendrix for Rolling Stone 946 • Mayer, John (2004). RollingStone.com (accessed March 21, 2007) • I won't ever get on stage at a comedy club when people know about it. • John at his MySpace blog • (2006). Comedy Central Insider (accessed August 15, 2006) • If you told me I was going to live to 240, I would take 10 years off and try and act. I don't have that kind of time, so I'd much rather stick to playing guitar.
• On why he has no plans to go into acting any time soon • AP (2006). CNN.com (accessed September 22, 2006) • It was so frightening at the time to be seventeen and have heart monitors hooked up to you. That was the moment the songwriter in me was born. I discovered a whole other side of me. I came home that night and started writing lyrics.
I discovered it all at once: It was like opening up a lockbox, and inside was a depth that I didn't even know I had as a person, or a writer — incredible creativity and vision and neurosis, complete neurosis. They all go together in a package. • On the effects of having a critical cardiac arrhythmia at age 17 • Hiatt, Brian (),. Rolling Stone. (1009): 66-70 • What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview.
The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit. I become very domesticated, it becomes riding my bike, and the music thing — the music thing doesn't leave but it's kind of less put upon me by other people as a musician. • On whether or not he misses being home with friends and family when he is on tour.
• Savino, Jessi, et al (2007) NU-News.com (accessed February 14, 2007) • Sometimes it feels like my life is just one long day. • On rediscovering his huge collection of Jimi Hendrix and Stevie Ray Vaughan posters he had as a teenager • Mayer, John (, ). Retrieved, • I know if it was the Time 99, I would've been off the list. • On making the 2007 TIME 100 • Graff, Gary (July 2, 2007). (accessed July 2, 2007) On music [ ] • Everybody enjoys arguing about the current state of music because it feels as if you are talking about something incredibly important, yet it requires little understanding of the subject matter at hand. It's like world politics meets the pink questions in Trivial Pursuit.
Points are made but nothing gets accomplished. • Esquire, in the column (July 1, 2004) • I love the Grammy nominations this year. Anybody who really loves what they do got rewarded for it. It's not a death match between and Jessica Simpson. • No byline (), 'John Mayer'.
144 (25):71 • Songs can be Trojan horses, taking charged ideas and sneaking past the ego's defenses and into the open mind. • Esquire magazine (November 1, 2004) • There's a real self-serving element to hip-hop that threatens its life span. • (November 2005) On others [ ] • If you have to tell someone how bad you want it, then you haven't shown them how hard you already work for it. • Sheryl's heroes are in black and white photos, and so are mine. • Mayer on why he agreed to tour with Sheryl Crow, despite the fact that he considers her more established and successful • Mervis, Scott (2006). Post-Gazette.com (accessed August 23, 2006) • I went to my library, right? And I started to research the Bill of Rights and I did not technically find anything that said all Americans shall eat shrimp with whoever they like, but I found some things that are close enough to infer that I am within my legal rights to enjoy seafood with whomever I choose.
• On being questioned about having a meal with in November 2006 • (2006). AccessHollywood.com (accessed January 11, 2007) • I never worked with T.I. Here's the back story to that Wikipedia nugget: I was a guest on TRL and happened to get my hands on the list of goofy, un Andrew-Miller-like questions I was going to be asked before I walked on set. One of the questions was 'Who do you like more, T.I.
Or [I forgot the other southern rap artist]?' So I snuck to the bathroom and searched 'T.I.'
On my Blackberry. I memorized as much information as I could and then announced that we were working together. • On how rumors got started that he was working with rapper T.I. (and how they made it to Wikipedia). • Mayer, John (2007). JohnMayer.com (accessed January 25, 2007) • ジェシカはとてもすてきな女性で、一緒にいられて最高です • Translation: Jessica is a lovely woman, and I'm glad to be with her. • When asked by Ryan Seacrest if he was dating Jessica Simpson, and, if so, when they were coming out.
• Malkin, Marc (2007). EOnline.com (accessed February 27, 2007) On fame [ ] • If I had done things differently, I'd probably have the paparazzi waiting around for me.
At the studio where I've been recording, Jessica Simpson is working there, too. The paparazzi are outside waiting for her to come out. That's the result of her decisions. My decisions have led me to the point that when I walk out in front of the paparazzi, I'm considered a waste of film.
• How he shows self-restraint with his fame • Small, Mark (2005). Berlee.edu (accessed February 11, 2010) • I am not in Us Weekly. I'd have to be going out with someone who is in there to be in there myself. • The (now ironic) quote on how he shows self-restraint with his fame • Small, Mark (2005). Berlee.edu (accessed February 22, 2007) • It wasn’t as direct as me saying “I now make the choice to bring the paparazzi into my life.” I really said, “I now make the choice to sleep with Jessica Simpson.” That was stronger than my desire to stay out of the paparazzi’s eye. • On deciding to date Jessica Simpson • (February 10, 2010), Playboy.
Retrieved February 10, 2010. • I was smart enough to know it would probably make me a salable item for the paparazzi. I knew I’d have to move to a home that had a gate. But that pearl of possibility that lives in your heart when you meet somebody you want to know more about has such a different molecular density than everything else that you have to pursue it.
• On deciding to date Jennifer Aniston • (February 10, 2010), Playboy. Retrieved February 10, 2010. The Playboy interview [ ] • Someone asked me the other day, “What does it feel like now to have a hood pass?” And by the way, it’s sort of a contradiction in terms, because if you really had a hood pass, you could call it a nigger pass. Why are you pulling a punch and calling it a hood pass if you really have a hood pass? But I said, “I can’t really have a hood pass. I’ve never walked into a restaurant, asked for a table and been told, ‘We’re full.’” • Explaining why black people love him. • (February 10, 2010 ), Playboy.
Retrieved February 10, 2010. • I don’t think I open myself to it. Algebra And Trigonometry Paul A Foerster Classic Edition Dutch. My dick is sort of like a white supremacist. I’ve got a Benetton heart and a fuckin’ cock. I’m going to start dating separately from my dick.
• In answer to the question, 'Do black women throw themselves at you?' • (February 10, 2010 ), Playboy. Retrieved February 10, 2010. • Sexually it was crazy. That’s all I’ll say. It was like napalm, sexual napalm.
• In answer to the question, 'You were addicted to Jessica Simpson?' • (February 10, 2010 ), Playboy.
Retrieved February 10, 2010. • Absolutely, because during sex, I’m just going to run a filmstrip. I’m still masturbating.
• In answer to the question, 'Masturbation for you is as good as sex?' • (February 10, 2010 ), Playboy. Retrieved February 10, 2010.
Miscellaneous [ ] • The saddest kind of sad is the sad that tries not to be sad. You know, when Sad tries to bite its lip and not cry and smile and go, 'No, I'm happy for you?' That's when it's really sad. • Rolling Stone magazine/iTunes podcast (December 2005) • On the 'chin-up sad' tone of one of his new songs on his upcoming album 'Continuum' • I find myself in situations that I know would be unbelievable pictures and I have to gauge, Is this worth taking the camera out? Am I gonna lose the moment? Am I gonna get a dirty look from Sting? • On the split-hair decisions of photography • Ellwood, Mark (2007).
() NikonUSA.com. Retrieved September 10, 2007 • The first thing I said was a question: Does this really come from the family? I think that was essential to me sort of processing the honor. And when I found out that, in fact, it had, it took me about 48 hours to sort of strike the balance in how I was going to approach being -- you know, being invited to this unbelievable event without actually having the proximity to personally. I'd never met him. • Mayer on performeing Human Nature at Michael Jackson's Memorial service • 'Episode title unknown'..
July 7, 2009. Unknown, season 24. • I miss the days when all I would do in my free time was play the first version of (the video game) Halo. The game was perfect.
It was so balanced in terms of risk vs reward you could lose yourself in it for hours, if not days. People would plan to meet up only to challenge each other to multiplayer battles. Male-female relationships fractured under the Halo regime. When the sequel came out, it’s as if they changed too much in the fundamental experience, and the game lost its once unfailing charm.
All the game developers had to do was put out a sequel to Halo that added new maps, weapons, vehicles and opponents. Everything else was pitch perfect. I know the franchise has done extremely well, but I wish they’d revisit the first Halo and just add some new secondary elements while keeping the heart and soul of the original going. Forget about XBOX live functionality. In person multiplayer only.
I long for the days when every TV in the house would be ripped from it’s location and repurposed as part of a makeshift home arcade. Lock your doors, pour 64 ounces of your favorite beverage and tell your loved ones you will be in touch. I may just have to break out the original and spend a weekend revisiting the good old days way back in the 2000s. Turbotax Business 2012 Rapidshare here.
Sent from my flying car • • Mayer on the halo video game series • Mayer's personal blog, ONE FORTY PLUS. About Mayer [ ]. James Blake in Miami, Florida in 2007 • He was over at my house every day between fifth grade and eighth grade.
• on his childhood relationship with Mayer () • John wanted to take it in more of a pop direction than I did. It was like a marriage that we both knew would go bad once we started touring.
• Clay Cook, on why he and Mayer's two-man band, Lo-Fi Masters, broke up • Guthrie, Blake (2002). CreativeLoafing.com (accessed February 22, 2007) • Neither punk nor prom king, Mayer was a tall kid from Connecticut, driving on the freeways, chasing slippery techno women, inhabiting a world of parents and slipcovers and holidays and gracious Southeastern metropolises; he was smart, inquisitive, articulate, a touch off in places. • Hunter, James (),. Rolling Stone.
(932):116 Retrieved, • John Mayer is a very talented brother and you don't know where your blessings are going to come from. • The rapper on working with Mayer on the song 'Go.' (From ) • He words stuff with a real, I guess it's a witty, intelligent, very human [sensibility]. I would like to grab some of those qualities.I wish he was my friend. • on Mayer (2004) () • Me and John, we just cool, period. We get in the studio and we vibe and then we make music from that point. • Kanye West on Mayer (2004) () • One time I saw him perform live and he switched up his song at the end, like, [improvised] different chords — he remixed it.He's just not your typical guitar player.
He's trying to push the envelope for the way guitarists and vocalists are heard. I just respect his musicality. • (of N.E.R.D.) on Mayer () • You know, the dude is a real musician. It's like anything you ever loved in or anything you ever loved in any '70s rock. You're gonna get it out of this dude. He's a real student, and it comes through in his music.
• (of N.E.R.D.) on Mayer () • I was astonished at how well he played live. I had no idea he was that good. •, on seeing Mayer perform at the Crossroads Music Festival in 2004.
(2005) () • What song do I hate? I think 'Daughters,' by John Mayer, would be a good candidate.
I don't know why he bugs me so bad. • on what song would be playing if he went to hell. (2005) () • Before that it was Halo, and no one could beat him. That's pretty much his MO if he finds an interest in something -- it doesn't matter how incidental it is. • on Mayer's desire to be the best at everything • Hiatt, Brian (),.
Rolling Stone. (1009): 66-70 • No musician is indifferent to the public's perception of him, but the exuberant, logorrheic Mayer takes self-awareness to new postmodern heights.
Like a football player providing color commentary on his own career, he muses constantly on his own abilities and his place in the taxonomy of pop. • Barrett, Ruth Shaut ( )(2006).
J-mayer.org (accessed August 3, 2006) External links [ ].
• ' Released: July 11, 2006 • ' Released: September 2006 • ' Released: September 12, 2006 • ' Released: July 4, 2007 • ' Released: November 20, 2007 Continuum is the third studio album by American musician, released September 12, 2006 on. Recording sessions for the album took place during November 2005 to September 2006 at in,, Avatar Studios and Right Track/Sound on Sound in, and Royal Studios in. Production was handled primarily by Mayer and.
It marked a change in Mayer's musical style, and incorporated musical elements of and more heavily than in his previous work with pop-rock. The album debuted at number 2 on the US chart, selling 300,186 copies in its first week.
It also reached the top-ten in several other countries and sold over 3 million copies worldwide. Upon its release, Continuum received generally positive reviews from most music critics and earned Mayer several accolades, including a at the.
Magazine named it the eleventh best album of 2006. With any trilogy, the third in the series blows it open. John Mayer, 2006 Mayer made the decision to name his third album Continuum at least a year before the album was released. In his column in the April 2005 issue of Esquire, Mayer wrote, 'I'm obsessed with time lately, constantly crunching the numbers to get some sense of where I stand in the continuum.' In his column in the September 2005 issue of he confirmed the title, writing, 'I've never experienced anything like the recording process involved in making Continuum, my third-album-to-be. The album features mainly new songs, though 'Gravity' and 'Vultures' are available in live versions from 's, and ' is a cover: the first Hendrix cover that Mayer has ever recorded as a studio release, although Mayer had played 'Bold as Love' live many times prior to the release of Continuum such as on the televised: A Concert of Hope on January 15, 2005 and has since recorded other Hendrix songs such as 'The Wind Cries Mary' and 'Wait Until Tomorrow' in live settings.
The album contains a collaboration between Mayer and 8-string guitarist on the tune 'In Repair'. The song 'Stop this Train' was written during a time of, what Mayer calls, 'solitary refinement;' He was in bed suffering from double kidney stones and living in a hotel while finding a new residence. Cover art [ ] The word 'Continuum' is showcased across the center. The typography for the title was customized to give the letters 'C' and 'o' the appearance of an: ∞. Many of the following letters touch in some way; the right vertical line of the second 'u' is the left vertical line of the 'm' in the title. The album has been released several times with slight differences in the artwork.
The three major releases feature, respectively: A photo of Mayer; a silver cover with a white title; and a Local 83-only version (including a silver bag). The first features a dark gray-scale photograph of Mayer with the title near the top; another is identical except for 'featured' centered across the top. Some versions feature only a CD. In these cases, the album features Mayer on the cover. When the album is packaged with a jewel casing, the inside cover is all white with the 'Continuum' logo printed very faintly on it.
The basic CD is white with off-white letters that slides into a slipcase of deep gray with lettering in light gray and blue/green. During the pre-order, it appeared as though there would be a variation of said artwork on a special edition version, and it turned out that the 'special packaging' was a shiny silver bag which held the CD and the pre-order bonuses. All artwork was designed by Mayer along with Smog Design, Inc. The inside of the CD sleeve includes photographs, some taken by Mayer, such as of the studio (where Mayer's handwriting describes, '*this is what my heart looks like*') and a where Mayer's handwriting is imposed over the top of the photograph, featuring the lyrics to his songs. There is also a photograph of Mayer with and (the three who comprise the John Mayer Trio) on a beach. The CD sleeve features the lyrics to all of Continuum's songs. With both and, there were incongruities with the lyrics in the sleeves when compared with the albums; however, the Continuum lyrics are all printed exactly as recorded on the album.
The UK version of Continuum features a photograph of Mayer on the cover. This cover was used for promotional releases, such as when Mayer performed live on the Australian television program. The alternative cover was presented for television by the show's host. In November 2007, a special edition of Continuum was released. The cover for the special edition features a grey background and silver text for the title, with the logo in black instead of white.
However, the line 'Music by John Mayer' remains the same teal color as on the regular release. The cover layout is the same. Release and promotion [ ].
This article needs to be updated. Please update this article to reflect recent events or newly available information. (January 2009) By the time of release, Mayer had performed almost all of the songs live at least once, either with a full band or alone in an acoustic set during the Hotel Cafe shows from the previous winter.
On August 23, 2006, the entire Continuum album was played on Los Angeles radio station, with the segment hosted by Mayer himself. He repeated the event for different media outlets several more times before the album's September release, such as 'Sneak Peek' through; he also performed three songs live for. Subsequently, the album was made available for on Clear Channel Music website and for pre-purchase on, all prior to the album's official release.
The iTunes pre-release included the exclusive bonus track, 'Can't Take That Plane'. A limited edition of 'Waiting on the World to Change' was released featuring the album version of the song. The EP includes a bonus acoustic version which features, as well as a studio recording of 'Good Love is on the Way', a live version of which was released on the 's.
The Ben Harper version of 'Waiting on the World to Change' and an alternative acoustic-only version of 'Good Love is on the Way' are also available on Mayer's subsequent release, the EP. The first single, ',' was released on July 11, 2006. The music video for the song was directed by and features Mayer walking along the while artists Futura, Tats Cru, and Daze graffiti messages on New York City billboards displaying messages relating to the song's content. On February 22, 2007, Continuum's second single, ', entered the Billboard Hot 100 at #71, joining the already charting 'Waiting on the World to Change', making for two Continuum singles on the Hot 100 at the same time.
It was featured in the for the television series in 2008. 'Waiting' entered the Billboard's Hot 100 Digital Songs Chart at #63. It has sold 68,115 in digital downloads since its release.
Mayer performed the single ' at the with fellow musicians and. 'Dreaming with a Broken Heart' is the third official single release from Continuum, and was released for ads at Hot AC and Triple A radio on July 9, 2007. On November 20, 2007, a special edition of Continuum was released that included a bonus disc of six live tracks and a 20-page booklet containing photos from the tour.
Five of the songs are live versions of tracks from Continuum, including all of its singles. A sixth song, 'I Don't Need No Doctor', was originally performed by; Mayer previously performed the song as part of his set with the. The single 'Say' (from soundtrack) was also made available on the CD through an online download unlock function. The tracks were produced by Mayer's engineer.
The album was reissued on on April 8, 2008, with the single ' being added directly on the disc. A version of this reissue was also released, on two 180-gram discs. Commercial performance [ ]. An R&B-oriented ballad, the song's theme centers on a relationship on the brink of ending. Problems playing this file? Continuum debuted on the US chart at #2 with 300,186 copies sold.
It never reached #1, impeded by the Justin Timberlake album, which was released at the same time. As on November 2009, Continuum has sold 2,800,000 copies in the and is Mayer's third consecutive multi-platinum selling studio album. It stayed in the top 100 of chart for 50 weeks (37 of those weeks were in the top 50).
Worldwide, it has moved more than 3 million copies. [ ] In Canada, the album debuted at #2 on the and is certified platinum for sales of 100,000 copies. According to, Continuum was the fourth best selling digital album for 2006 in Canada.
With no lead single in Australia, Continuum debuted on the at #12, his lowest debut in Australia to date ( debuted at #5 and at #4). Continuum was the ninety-eighth best selling album for 2006 on the (ARIA) Albums Chart.
It has been certified gold by ARIA for sales of 35,000 copies and had stayed on ARIA's Top 100 Albums chart for 34 weeks before exiting the chart. Continuum held the record for the most album downloads in history with over 326,000 copies downloaded until June 29, 2008, when it was surpassed by the album. On February 22, 2007, the lead single, 'Waiting on the World to Change', peaked at #14 on the Singles Chart, where it stayed for forty-one weeks. To date in the US, the single has sold 1,632,137 in digital downloads, and was certified platinum by the when it crossed the one-million mark in sales. After a month of release, the single peaked at #17 on the Australian on November 19, 2006. Critical reception [ ] Professional ratings Review scores Source Rating B− 7/10 C Continuum received generally positive reviews from music critics. At, which assigns a rating out of 100 to reviews from mainstream critics, the album received an score of 67, based on 18 reviews.
Matt Collar of called it 'a gorgeously produced, brilliantly stripped-to-basics album that incorporates blues, soft-funk, R&B, folk and pop in a sound that is totally owned by Mayer.' Called it a 'great blue-eyed soul record.' Of the commented that Mayer is 'best when treading softly, finding the fluid heart of blue-eyed soul', rather than on more 'angst'-filled songs. Bryan Borzykowski of felt that '[Mayer's] melodic voice, warm production, complex riffs and thoughtful lyrics should cure the violent reactions Mayer's name used to evoke.' 's gave Continuum a three-star honorable mention ( ), indicating 'an enjoyable effort consumers attuned to its overriding aesthetic or individual vision may well treasure'.
He cited 'Waiting on the World to Change' and 'The Heart of Life' as highlights and quipped, 'Saying in so many words what his less-gifted, more-pretentious contemporaries think it's cool to camouflage'., writing in, called it 'a smart, breezy album that deftly fuses his love for old-school blues and R&B with his natural gift for sharp melodies and well-constructed songs.' The magazine later ranked it the eleventh best album of 2006. In a mixed review, 's Jonathan Keefe wrote that, 'with no edge to the songwriting and with such spit-polished, tasteful production, Continuum just doesn't convince as a heady, soulful rock album or as Mayer's creative quantum leap forward'., writing for, felt that Mayer is too 'classy' and wrote that, although the songs are 'shapely' and 'the musicianship is elegant and virtuosic', the music's 'low-key loveliness dissipates into a sleep-inducing haze.' Stated that Mayer 'calmly circles the same career themes with the same warmed-over, palatable guitar weavings'.
Magazine called it 'dour stuff reminiscent of a yogic.' Track listing [ ] No. Title Writer(s) Length 1. 'I Don't Trust Myself (With Loving You)' Mayer 4:52 3.
' Mayer 4:02 4. ' Mayer 4:05 5. 'The Heart of Life' Mayer 3:19 6. 'Vultures' Mayer,, 4:11 7.
'Stop This Train' Mayer 4:45 8. 'Slow Dancing in a Burning Room' Mayer 4:02 9. ' ( cover) 4:18 10.
' Mayer 4:07 11. 'In Repair' Mayer, 6:09 12. 'I'm Gonna Find Another You' Mayer 2:43 Total length: reissue No. Title Writer(s) Length 13. ' Mayer 3:49 Total length: edition bonus disc No.
Title Writer(s) Live details Length 1. 'Vultures' Mayer, Jordan, Palladino,,, June 28, 2007 5:40 2. 'Belief' Mayer,,, June 26, 2007 6:04 3. 'Waiting on the World to Change' Mayer,, July 25, 2007 3:39 4. 'Dreaming with a Broken Heart' Mayer,,, June 10, 2007 4:15 5. ' ( cover) Joseph Armstead,,,,, June 18, 2007 5:54 6. 'Gravity' Mayer,, Ohio, July 1, 2007 10:20 Total length: 36:43 Personnel [ ].
Musicians [ ] • –,, • – • –,,, production • Ricky Peterson – on tracks 1, 6, 11 and 12, backing vocals on track 1 • – on tracks 1 and 2 • – bass on track 2 • – guitar on track 3 • – Drums on track 3 • – percussion on track 3 • – keyboards and organ on track 4 • – guitar on tracks 7 and 11. • ^ Joseph, Mike (2006-09-21)... Retrieved on 2009-12-29. • ^ 'Review: Continuum'.. December 2006. • ^ (2006-09-15)...
Retrieved on 2009-12-29. Retrieved on 2009-12-29. • ^ Collar, Matt... Retrieved on 2009-12-29. • Anderman, Joan...
Retrieved on 2009-12-29. Archived from on 2006-08-19. Retrieved 2006-07-30. • No byline (2005).
Esquire.com (prior to the title's announcement) (accessed March 16, 2007) • that he intends to name his third album Continuum. • Mahoney, Lesley (October 24, 2008), Berklee.edu (Retrieved 2008-11-02) • Mayer, John (2006-08-04).. John Mayer Official Blog. Retrieved 2006-08-06. Star 98.7 FM. Retrieved 2006-08-25. • JohnMayer.org staff (November 14, 2007).
( JohnMayer.com Retrieved 2007-11-19 •, news.jamradio.org, March 26, 2008, Retrieved March 27, 2008 • ^. Billboard Magazine. • Herrera, Monica (November 10, 2009).. Retrieved November 7, 2012. Retrieved 2006-09-25. • Moon, Tom (October 2006).
'John Mayer: Continuum'.. New York: 138. • ^ Powers, Ann (2006-09-03)... Retrieved on 2009-12-29.
• ^ 'Review: Continuum'.. December 2006.
• ^ DeCurtis, Anthony (2006-09-11)... Retrieved on 2011-08-20. • ^ Keefe, Jonathan (2006-09-25)...
Retrieved on 2010-03-27. • ^ McGarvey, Evan (2006-09-25)... Retrieved on 2009-12-29. • ^ Christgau, Robert. '.: February 2007.
Archived from on 2009-12-29. Retrieved on 2009-12-29.
• Borzykowski, Bryan (September 14–20, 2006). 'Reviews' NOW 26:2 • Christgau, Robert... Retrieved on 2009-12-29.
• No byline (2007). Rolling Stone (accessed March 16, 2007) • Top Comprehensive Albums 2006-09-21 • Top Digital Albums 2006-09-21 • Top Internet Albums 2006-09-21 • Top R&B/Hip-HopAlbums 2006-09-21 •. Retrieved 9 October 2017. External link in title= () •. Canadian Recording Industry Association (CRIA).
Archived from on 2010-11-22. Retrieved 2007-10-16. UK Official Charts Company. Retrieved 18 October 2016. • • External links [ ] • at • at • at • at ZioShow.
