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Guests of the Denver Center's signature fundraiser for arts education will experience the Broadway show first-hand Guests of the DCPA's 38th annual signature fundraiser,, next March 3, will attend that evening’s performance of at The Buell Theatre, it was announced tonight at a kickoff party. Every year, helps DCPA education programs give more than 106,000 students the opportunity to take their first step toward changing their lives and transforming the world around them.

“At the DCPA, we believe that the arts are a fundamental part of a well-rounded education,” said DCPA President and CEO Janice Sinden. “Being able to celebrate that with, a show that is equally passionate about arts education, is an exciting opportunity for our Saturday Night Alive donors.” (Pictured right: Chris De, Sean Lee, Jose Ramos, Wallace Smith, Miguel Cervantes from the original Broadway company of 'Hamilton.' Photo by Joan Marcus.) Individual tickets for start at $1,000 and will go on sale at the end of November. Tables of 10 start at $10,000. Prices include a donation to the DCPA, the events of the evening, and tickets to that evening.

Here you can download the charlie daniels band million mile reflections shared files: The Charlie Daniels Band The Roots Remain Disc 1 04 The South's Gonna Do It. Last year, Saturday Night Alive grossed more than $1.2 million to support the Denver Center's extensive educational programs. Over the past three decades, an estimated $21 million has helped the DCPA provide theatre programs to more than 1.9 million students — a testament to the volunteers, donors, sponsors and.

Visit for more information. Please Note: Tickets to the Denver engagement of are currently not on sale. Tickets to will go on sale after the first of the year. Information regarding the specific date and details of the public on-sale will be announced at the end of 2017.

Please be aware that if one sees tickets for sale from a third party, there is a very good chance these are not legitimate tickets. The Denver Center for the Performing Arts – – is the ONLY authorized ticket provider for in Denver. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the DCPA is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance. At, which is a regular sell-out on the Denver social calendar, guests will enjoy not only that evening’s performance of Hamilton, but also elements that have made this event an eagerly anticipated highlight of the social scene for nearly four decades: • Surprise Box Sale: A Saturday Night Alive original. Bidders purchase a box without knowing what is inside.

• Computerized Luxury Silent Auction featuring nearly 100 items including artwork, jewelry and fabulous trips both domestic and worldwide courtesy of United Airlines and Starwood Hotels and Resorts. • Dinner provided by Epicurean Culinary Group in the elegant Seawell Grand Ballroom. • Post-show desserts and dancing, to which members of the Hamilton company have been invited. (Pictured above and right: Broadway stars headlined the 2016 Saturday Night Alive.) Last year, grossed more than $1.2 million to support the Denver Center’s extensive. Over the past three decades, an estimated $21 million has helped the DCPA provide theatre programs to more than 1.9 million students — a testament to the volunteers, donors, sponsors and attendees who have made this event a success.

Video Bonus: Savion Glover at the DCPA's 2017 Saturday Night Alive Tap-dancer and choreographer Savion Glover's headlining performance helped raised a record $1 million for DCPA Education programs last year at the Denver Center's annual Saturday Night Alive benefit. In addition, he taught a master class for a wide range of Denver dance students. Video by DCPA Video Producer David Lenk. Interview by John Moore for the DCPA NewsCenter. Related NewsCenter coverage:, 2017-18 Broadway season titles announced Broadway's Hamilton is Lin-Manuel Miranda on the to eliminate distance Why Lin-Manuel Miranda's father is obsessed with Note: The 2018 Saturday Night Alive Event Chairs are Susan and Steve Struna.

Corporate Chairs are Lisa and Norm Franke/Alpine Bank. Auction Co-Chairs include Keri Christiansen and Jane Netzorg. Patron Chairs are Lyn and Dr. Michael Schaffer. Sponsors are United Airlines, The Westin Denver Downtown, Epicurean Culinary Group, Kathie and Keith Finger, HealthONE and the Colorado Oil and Gas Industry.

Smith at the inaugural 'Mixed Taste' in the Seawell Ballroom on July 5. Photo by John Moore for the DCPA NewsCenter. 'Know which voice to listen to when it’s time to fly, when it’s time to land. ' By John Moore Senior Arts Journalist is a weekly tag-team lecture series that paired playfully unrelated topics on Wednesday nights throughout the summer in the Denver Center's Seawell Ballroom. Is now collaborating on the popular series with, the Denver Center's most unconventional programming arm Local slam poet was the series emcee. As part of the fun, she created an original poem as each evening progressed to connect the dots between two featured but seemingly unrelated topics.

She read them at the end of each night, and we have been publishing them here throughout the summer. On Glimmer and Flight Aug. 23 By Suzi Q. Smith Lecture Topics: Air Traffic Control and Drag Queen Activism Lecturers: Bruce Goetz and Shirley Delta Blow There are so many ways to approach a runway. Fast, heavy as a skilled boxer’s glove; Precise as a jeweled manicure or a highlighted cheekbone; Clumsy as the first time in heels.

It takes time, coordination, and practice to get it right. What I love about the airport is the vastness of possibility: every terminal filled with dreams and stories, beginnings and long kisses goodbye, every face choreographed into magnificent ballet – and who serves more face than drag queens?

Every wink and eyebrow raise is worth at least 56 square miles of absolutely. We must remember that certainty when we find ourselves mid-flight in what could be chaos.

Listen: there is a small voice lending us direction – stay here, come closer, not yet, aim higher, the runway is yours, darling – and if we listen, that voice keeps us from disaster. Step to the front while flashing lights sing in reverence to your every eyelash. Sashay when they wave you on, ignore the flailing arms that offer you no welcome. Know which voice to listen to when it’s time to fly, when it’s time to land, know who keeps you safe, keeps you airborne amidst roaring winds that would have your wings if you let them.

Let your pride swell. When you hear the sky calling, fly. Stay fly and flying, let the breath of those who love you be your wind, let their voices be your beacon. You, brilliant shimmer, land on that runway like you mean it. On Perspective and Relativity Aug. 16 By Suzi Q. Smith Lecture topics: P.T.

Barnum and Infinity Lecturers: Kathy Maher and Diane Davis I first used the term “infinity” as a means to compound an insult on some schoolyard playground, as in “you’re ugly” “your mama’s ugly” “you’re ugly times a million” “your ugly times INFINITY” until my Sunday School teacher said infinity was like carrying a bucket of water from the Atlantic Ocean to the Pacific Ocean, pouring it in, refilling the bucket and carrying it back, repeating this process until all of one ocean had been poured into the other entirely, and I stopped using it then as a weapon. It seemed a cruel use of vocabulary. Speaking of cruelty, I can’t help but weep when I consider the life of Joice Heth whose body, even in death, was someone else’s spectacle, whose suffering was no less than infinite, heavy as endless buckets of water colliding into a gulf a grand showcase of laughing waves, crashing the shore and winking at the grains of sand for their pretense of grandiosity.

Maybe it is all perspective, bending with time. Is time a line, or a circle?

Are we standing at zero or infinity? Is it ingenuity or exploitation? Is an elaborate hoax to be scorned or celebrated? Neither the sand nor the stars are infinite, but they offer a grand show. A brilliant display of possibility, a quantifiable image to lend this vast vocabulary to the dream of something greater. And what is greater, more infinite, than our dreams? Are we not the most stunning display of blue and bite? King Kong Pc Game Crack more.

The most illustrious outpour of story and song? May we learn from our history. May we transform our finite breath into a stunning cascade of tomorrows, may we build a world of infinite compassion, courage and creativity – I believe it will be the greatest show on earth, to infinity (and beyond).

On Bob and booze Aug. DCPA Broadway will present a concert version of Jason Robert Brown’s starring ( Fiddler on the Roof, Rent, Next to Normal) and ( Falsettos, Bullets Over Broadway, The Mystery of Edwin Drood). The video above is a personal message from the stars, who come to the Seawell Grand Ballroom on May 22. The Last Five Years traces the five-year relationship between two New Yorkers from their first meeting to their last goodbye.

It's a personal look at marriage told from both points of view – Jamie’s story begins at the first meeting and follows through to the couple’s ultimate breakup, while Cathy relates the story in reverse, from falling out of love back to the first spark of romance. This innovative storytelling structure makes for a show nearly entirely comprised of solo songs, with the actors meeting just once in the middle of the show in a duet. The Last Five Years in concert starring Adam Kantor and Betsy Wolfe May 22 Seawell Grand Ballroom Tickets start at $45 Call 303-893-4100 or Ticket information Please be advised that the Denver Center for the Performing Arts – online at – is the ONLY authorized online ticket provider for these productions in Denver. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the DCPA is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance. Follow the DCPA on social media @DenverCenter and through the.

DCPA Broadway announced two new concert shows this morning: Beth Malone: So Far and Jason Robert Brown’s The Last Five Years in Concert starring Adam Kantor and Betsy Wolfe. DCPA subscribers can purchase tickets now. (Direct emails will be sent with instructions.) Tickets go on sale to the public at 10 a.m.

Is a Colorado native who was nominated for a Tony Award for her work in Broadway's. Prior to that, she starred in the DCPA Theatre Company's reimagining of, which has its next staging this summer in St. And are acclaimed Broadway stars with eight credits between them. Beth Malone: So Far About the show: Tony-nominated Beth Malone (DCPA Theatre Company’s The Unsinkable Molly Brown) brings her acclaimed solo show back to where it all happened. Follow this adorably insane little lesbian as she takes you on a journey from Castle Rock to the South Pacific.

From little girl crushes to grown-woman heartbreak. Join us for comedy, tragedy, and a crush on. April 15, 5 and 8 p.m. Garner Galleria Theatre Tickets start at $50 Call 303-893-4100 or The Last Five Years in concert starring Adam Kantor and Betsy Wolfe About the show: ( Fiddler of the Roof, RENT and Next to Normal on Broadway, Avenue Q off Broadway) and ( Falsettos, Bullets Over Broadway and The Mystery of Edwin Drood on Broadway) star in The Last Five Years in Concert.

This intimate musical by ( Parade, Songs for a New World, Honeymoon in Vegas, The Bridges of Madison County) chronicles the five-year relationship between two New Yorkers, struggling actress Cathy and promising writer Jamie, from their first meeting to their last goodbye. Is a powerful and personal look at marriage told from both points of view – Jamie’s story begins at the first meeting and follows through to the couple’s ultimate breakup, while Cathy relates the story in reverse, from falling out of love back to the first spark of romance. This innovative storytelling structure makes for a show nearly entirely comprised of solo songs, with the actors meeting just once in the middle of the show in a duet.

May 22 Seawell Grand Ballroom Tickets start at $45 Call 303-893-4100 or Ticket information Please be advised that the Denver Center for the Performing Arts – online at – is the ONLY authorized online ticket provider for these productions in Denver. Ticket buyers who purchase tickets from a ticket broker or any third party should be aware that the DCPA is unable to reprint or replace lost or stolen tickets and is unable to contact patrons with information regarding time changes or other pertinent updates regarding the performance. Follow the DCPA on social media @DenverCenter and through the. Selected previous Beth Malone coverage on the DCPA NewsCenter: • Video: Beth Malone will return to Molly Brown in • Beth Malone on: ‘It’s about anyone born of a mother' • Beth Malone sings at Broncos game • Video: Coloradans on Broadway to high-schoolers: '’ • Colorado's Annaleigh Ashford and Beth Malone • • Denver's Molly Brown is Denver's Photo gallery: Beth Malone in Denver: To see more photos, click the forward arrow. Photos by John Moore for the DCPA NewsCenter. EDITOR'S NOTE: Considered America's foremost humorist, best-selling author and cultural icon returns to Denver for three sold-out evenings in the Seawell Grand Ballroom from Nov.

Sedaris' latest book is titled 'Let’s Explore Diabetes with Owls.' To mark his return, we take a look back at highlights from a fun interview between Sedaris and DCPA Senior Arts Journalist before a previous Denver visit. He talked funny one day John Moore: David, the last time we saw each other, you were kind enough to sign two books for friends of mine who were not at that particular show.

You signed one, “Everyone knows you’re gay,” and the other one, “For that slut in Denver.” Does everyone who doesn’t show up at your shows get 'The Sedaris Treatment’? David Sedaris: There’s always so much pressure to come up with something different to write in each book. Some nights, I come up with new things, and other times, I wind up falling back on old ones.

I don’t want anyone to say, “That’s exactly what he wrote in my book.” John Moore: Time Magazine called you “America’s Best Humorist,” but you haven’t lived in the United States full-time in nearly two decades. How do you stay on top of things here when you are living abroad? David Sedaris: Well, that Time Magazine thing was pretty funny.

I had real reservations about that. It feels like when you are embraced by Time Magazine, you’ve got to wonder what you are doing wrong.

It wasn’t like I nominated myself or anything. But I think being distant helps you to see the U.S. In a different way. When you are living there, things are normal to you, and you stop noticing that things are strange in any way. When you go away and come back, you notice how odd things are here.

John Moore: When you’re here, do you go undercover? David Sedaris: Often people will say, “Oh, let me take you to a cave,” or “Let me take you to this barbecue restaurant.” But then sometimes, you’re sort of tired of being around people by that point.

I love to listen to local talk-radio shows and cable access TV. I mean, that’s half my diary right there, just what I saw on TV the night before. I’m just unable to believe it. There was a Canadian show when I was there last time called. Have you seen the show? John Moore: Never heard of that one.

David Sedaris: I can’t figure out if it’s a soap opera or it’s a documentary. But it can’t be a documentary, because they’re too good-looking. They’re all veterinary students, and they all have their little lives and stuff. And then an eagle will sprain its neck or something, and they have to rush to take care of that. John Moore: We we seem to have this shared belief now that our lives are all interesting, they should be chronicled and they are fully worth the rest of the world’s consumption and consideration. David Sedaris: What’s that thing where people go to an island?

David Sedaris: Yeah. That came on after I moved, so I only read about it. But they started a French version of that show in France. I always wonder if I’m supposed to like these people - because I never do. But in the long run, I think it’s no worse than anything else. I guess that’s the best thing that can be said about that.

Like: I laughed as hard as I would laugh at a comedy. I feel as much pity and sympathy as I would as if I were watching, you know? John Moore: Do you ever feel a certain pressure to always be “on” at social occasions - as if you are a stand-up comedian? David Sedaris: When I go on a tour like this, you just sort of prepare yourself for that. You just sort of flick yourself “on,” because people expect it. At the same time, I’m usually up for it. What’s funny is that you could say, “Oh, I have a big blister on the bottom of my foot,” and people will laugh.

You realize, “Oh - they will laugh at anything I say.” John Moore: “So you find puss funny?” David Sedaris: Right. That’s trouble.

When I’m signing books, people are afraid. They’re frightened. And I always think, “Of me?” Like why would anybody? I don’t know.

It just makes me sad. John Moore: You don’t take that as a compliment that people get themselves worked up to see you? David Sedaris: No. I wouldn’t want that.

It’s not pleasant to feel that way. Why stand in a line and then have that thing that you’ve been waiting for be unpleasant? That’s like giving blood or something. John Moore: I always tend to get nervous.

I don’t know why. David Sedaris: Well, I’m the same way. I’m terrified whenever I go for a book signing. Anytime I’ve ever gone to hear an author in person, and I think, “Oh, what am I going to say? What I’m going to say is going to sound so stupid” Or, “He’s heard it a million times before.” So I just try to take control. I start asking them questions so they don’t have to stand there and think, “Ugh, that sounded stupid.” Instead I say stuff like, “Are those your real teeth?” John Moore: That is exactly how I feel when I am standing in the line at a funeral.

You are waiting your turn to speak to the family, and you have no idea what you are going to say. David Sedaris: But what if you got up there and said, “Where did you get your shoes?” For my book tour, I wanted to try some little gimmicks and things. So I brought out a tip jar, and I made, like, $1,500 in tips! I made about $140 a night. But I can’t do that on this trip, because I’m being paid to be there, and you know, it just doesn’t seem right. I started a list of questions to ask people. Like: “I don’t know what globalization means.

Do you?” I figure I can just get people’s definitions of that word. And on the book tour, I wear a bow tie, because my father suggested it. So I collected comments about bow ties. Like one night, a guy said that a bow tie was the pierced eyebrow of the Republican Party.

That was a good statement. When I was in San Francisco, a guy said, “A bow tie announces to the world that you can no longer get a (bleep). “ And I thought, 'That is exactly what a bow tie does. That is it exactly.” David Sedaris: SOLD OUT • Nov 2-4 • Seawell Grand Ballrom • Produced by Rebek Productions • Information: 303-893-4100 for any potential ticket availability •. Our Opening Night photo gallery, above. To see more, click the forward arrow on the image above. All photos are downloadable from our Flickr site by clicking on the desired photo.

We had cameras positioned all over the DCPA on April 15 to capture the excitement of Opening Night for the Theatre Company's reimagining of with new orchestrations. The gallery above includes photos from backstage before the show as cast and crew prepared, as well as the 'fight call' pre-show rehearsal, the electrifying curtain call and the party that followed in the Seawell Ballroom. (Including an appearance by Broadway star.) Photos by, DCPA Senior Arts Journalist John Moore and for the DCPA NewsCenter. Visit us at ​ The 'Sweeney Todd' Opening Night curtain call. Photo by Adams Visual Communications Sweeney Todd: Ticket information • Music and lyrics by Stephen Sondheim; Book by High Wheeler (adapted by Christopher Bond); musical adaptation by DeVotchKa • Through May 15 • Stage Theatre • Grammy-nominated Denver band DeVotchKa takes on the legendary demon barber of Fleet Street, serving up a reinvention of Sondheim’s musical thriller. Hell-bent on revenge, Sweeney Todd takes up with his enterprising neighbor in a devilish plot to slice their way through London’s upper crust.

Justice will be served — along with audacious humor and bloody good thrills. • Accessible performance 1:30 p.m. May 1 • Tickets: 303-893-4100 or Previous NewsCenter coverage of Sweeney Todd: Theatre Company giddily going down in 2015-16 DeVotchKa frontman promises a Sweeney Todd that's DCPA announces DeVotchka-infused ​Where the band meets the blade: Co-stars on bringing DeVotchKa’s to Sondheim Video Five things we learned at Perspectives: Interview, video: Sweeney Todd actors sing for Previous Sweeney Todd profiles (to date): Meet Meet Meet ​ •. Cast members from the DCPA Theatre Company's and the Grammy-nominated Denver band offered a short preview by performing 'A Little Priest' at the recent awards luncheon at the Seawell Ballroom.

That's Linda Mugleston as Mrs. Lovett and Robert Petkoff as Sweeney Todd singing 'A Little Priest' alongside conductor Erik Daniells and DeVotchKa members Jeanie Schroder, Shawn King and Tom Hagerman. The band has put its lush, gypsy punk spin on the legendary Stephen Sondheim orchestration, and members will be performing in the pit at all performances.

Video by David Lenk for the DCPA NewsCenter. Photos by John Moore. Sweeney Todd: Ticket information • Music and lyrics by Stephen Sondheim; Book by High Wheeler (adapted by Christopher Bond); musical adaptation by DeVotchKa • April 8-May 15 (opens April 15) • StageTheatre • Grammy-nominated Denver band DeVotchKa takes on the legendary demon barber of Fleet Street, serving up a reinvention of Sondheim’s musical thriller. Hell-bent on revenge, Sweeney Todd takes up with his enterprising neighbor in a devilish plot to slice their way through London’s upper crust.

Justice will be served — along with audacious humor and bloody good thrills. • Accessible performance 1:30 p.m. May 1 • Tickets: 303-893-4100 or Previous NewsCenter coverage of Sweeney Todd: Theatre Company giddily going down in 2015-16 DeVotchKa frontman promises a Sweeney Todd that's DCPA announces DeVotchka-infused ​Where the band meets the blade: Co-star on bringing DeVotchKa’s to Sondheim From left: Tom Hagerman, Shawn King and Jeanie Schroder of DeVotchKa, alongside 'Sweeney Todd' conductor Erik Daniells. Photo by John Moore. Photos from the Donald Seawell Life Celebration held Nov.

9 at the Seawell Ballroom. Photos by John Moore for the DCPA NewsCenter. To download any photo for free, click on 'View original Flickr image.'

Monday’s farewell to DCPA founder was not so much the end of an era as a homecoming. The estimated 400 who gathered in the grand ballroom that bears Seawell’s name included politicians, entertainers and theatregoers, as well as dozens of artists and staff representing four decades of Denver Center history. Attendees included Donovan Marley, the Theatre Company’s former Artistic Director for 23 seasons, and actor, who performed on DCPA stages for more than 20 years. “Next to my father, Donald Seawell is maybe the most influential man in my life,” said Marley. Added Hutton, who traveled to Denver from Vermont to attend the ceremony: “Donald and Donovan were relentless champions of our company for decades.' Pictured above right: DCPA Theatre Company actors Shannan Steele, M.

Scott McLean, Christine Rowan, Jeffrey Roark, Lauren Shealy and Michael Fitzpatrick. Photo by John Moore.) Seawell died on Sept. 30 at age 103, which actually came as something of a surprise to those closest to him, given his oft-stated intention of living to 120. Hearing the breadth of Seawell’s life distilled to brief anecdotes throughout the 90-minute ceremony only made it seem all the more improbable: Debater of Winston Churchill. Adversary-turned-ally of Joseph Kennedy. Counterintelligence officer charged with fooling the Germans about the location of the D-Day invasion. Helping to write the charter that established the State of Israel.

Assistant ambassador to France. Broadway producer.

First to bring the Royal Shakespeare Company to America. Savior of The Denver Post from a hostile takeover. And, above all: Visionary who in 1972 famously sketched the Denver Performing Arts Complex on the back of an envelope in a ghostly, ghastly part of downtown Denver, and at a time when no one other than Seawell imagined the remotest need for it. Today, the Denver Center for the Performing Arts is the largest non-profit theatre organization in America, last year attracting more than 800,000 visitors. With respect the fictional Dos Equis advertising character, said, “Donald Seawell is The Most Interesting Man in the World.” Monday’s guest speakers dropped names like so many of Seawell’s ubiquitous French cufflinks: John F. Kennedy, Harry Truman, Franklin D.

Roosevelt, Douglas Fairbanks Jr., Bob Hope and Frank Sinatra. For starters. “He knew everybody,” Hickenlooper said. “Presidents, titans of industry, diplomats and movie stars. He could more than hold his own with the most immense egos in the world - and he was in every way just as captivating as the crowds he ran with.” Judi Wolf, the memorial’s host and a fellow DCPA trustee, said Seawell loved life and life loved him back.

“He was an artist,” she said, “and life was his canvas.” He died among the rarest of men: Having fully lived the life he imagined. He was known as Dapper Don for his impeccable style and social elegance. “I don't think Donald owned a shirt that didn't have French cuffs,” Hickenlooper said. Download Mpas-fe.exe. “Probably even his T-shirts have French cuffs.” Seawell was a big dreamer and fierce overachiever; a leader who followed his own heart and simply ignored – or overcame – anyone who dared to say otherwise.

“No one stood in his way,” said DCPA Theatre Company Artistic Director Kent Thompson. “In fact, woe to anyone who even tried to stand in his way.” DCPA CEO Scott Shiller said Seawell “blazed new trails, pushed full steam ahead, offered no apologies and had no regrets.” Wolf concurred. “He was kind and loving and patient. With himself,” she said with a laugh.

But on his dying day, Wolf said more seriously, Seawell took her hand and said, “Remember, Judy we are about show business.” She took her cue, and put together a tribute for Monday that was equal parts solemn reflection and pure show biz. 'Hattitude' is the annual high-fashion-and-fun luncheon that raises money for the Denver Center Theatre Company’s Women’s Voices Fund. That was established by Producing Artistic Director Kent Thompson to commission, workshop and produce new plays by women. For many attendees, 'Hattitude,' conceived by the Denver Center Executive Vice President Dorothy Denny, is a chance for guests to dress up and show off their most colorful haberdashery. [[MORE]] The Women's Voices Fund, which now totals more than $800,000, is a national model and since 2005 has enabled the Denver Center Theatre Company to: • Produce 23 plays by women, including five world premieres • Commission 10 female playwrights • Employ 13 female directors The Women's Voices Fund is working to reshape the American theatrical canon. Video by David Lenk and John Moore. Photos by John Moore.

Host Denise Plante. Denver Center Chairman Daniel L. Constance Williams, Mother Dunkins and Ruth Shepard. June Singer-Dreibholz, Susan Stiff, Chris Yaros and Jan Hammond.