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When Caroline Faison opened her eponymous in Greensboro, North Carolina, nearly 50 years ago, she was already an expert on the past. She might not have guessed that one day, decades later, she’d be joined at the shop—and on her far-flung buying adventures—by her grandson, Ben Cochrane. Today, Ben works alongside his grandmother and carries on the family tradition of selecting and selling fine antiques in this exquisite Southern boutique and its HighBoy storefront. You’re a third-generation antiques dealer. Tell us about your early exposure to antiques. My mom, Kim, has a shop in Richmond, Virginia, and family legend has it that my mom and grandma were hauling me around the country to [antiques] shows when I was five weeks old.

When I was a kid, I walked from school to my mom’s shop to do homework there. Those are some of my most substantial childhood memories, all those hours in her shop. When I was 14 years old, I went to a show in Indian Hills—near Cincinnati, and my mom introduced me to dealers there. Maybe I was hooked since then.

So were you destined to work in this industry? It’s got a lot to offer. I saw my mom and grandma both run successful businesses and get to travel the world. After college, I moved back to Richmond and started working full-time for my mom. It’s just a lifestyle that I love.

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What draws you to the antiques themselves? We have lots of antiques in our house that we’ve collected in the last 10 years, and they all have personalities to me. I’m especially fond of, of its warmth. I love wood patinas and inlays. Early 19th Century Large Round Lacquer Box So did your collection begin with a wood casegood? No, my first purchase was a six-tile Delft plaque that depicts a bird.

I grew up with lots and lots and lots of blue and white. It was probably inevitable. Caroline Faison Antiques specializes in -, -, and Continental antiques, but what do you feel like you bring to the marketplace that’s distinctive? When I think about my grandma’s shop, I think of the over-the-top painted furniture, very high style. I feel lucky to have worked for two different shops: My mom’s is stuffed to the gills with pieces, and my grandma’s shop is more about pretty vignettes. Pair of French Reverse Glass Paintings What’s it like working with your grandma?

She’s one of the funniest people I know. We have these competitions: She buys things I think are unsellable, and I buy things she thinks are unsellable. We have fun teasing each other—like, behind closed doors, I call her Granny. She hates it, but now some of our closest friends in the antique world call her Granny. Any great stories to share with us about adventures in buying and selling antiques? It’s always a learning process.

People who think antiques are intimidating should remember that nobody knows everything; even experts are still learning. Here’s an example: We got some on consignment last year, and nobody—not even authorities on jade—wanted anything to do with it. I took it to an auction in Hillsborough, and one piece in the collection sold for more than $200,000. It just goes to show that nobody knows everything. Three Italian Blue and White Apothecary Jars What’s your best advice for young collectors? Take it slow. Buy one thing a year if you can.

My wife and I, at our house, have empty spots waiting for the right thing. It used to drive her crazy, but now she knows it’s worth the wait. And finally, what do you wish more people in your generation understood about antiques? I wish my peers would see the value in them.

If you go to Restoration Hardware, you pay a lot for something that looks like an antique. Why not spend that money on an actual antique—something no one else has and that comes with craftsmanship you can’t get from a factory? That’s so much more interesting to me, and I think people in my generation are starting to learn, thanks to the lessons we get from our parents and grandparents. Grannies know a lot. Want more from this charming duo? Shop on The HighBoy now!

In a gorgeous revamped warehouse in Norwalk, Connecticut, (and here on The HighBoy), showcases and sells its collection of mid-century and vintage furniture and accessories. Owner Tom Roth and creative director Robin Babbin have an eye for the fine lines and handsome craftsmanship that define style. Here, the pair reveals how they got started, what they collect for their own homes—and why visiting a pig farm in upstate New York is sometimes worth the effort. Filed Under: Tagged With:,,, September 29, 2015 By.

If you’ve ogled beautiful wallpaper or a sumptuous rug in the pages of a interiors magazine lately, you probably have Stacy Waggoner to thank. Venuemagic Keygen. Waggoner and her business partner, Kate Reynolds, are owners of, a showroom full of irresistible, custom textiles, rugs, and wallpaper as well as the studio’s in-house line of custom textiles. The showroom celebrates exquisite craftsmanship and materials, so it’s no surprise that Waggoner’s Manhattan apartment is rich with beautiful pieces.

Here, the design lover shares glimpses of her space and the stories that go with it. Let’s start at the beginning: Where did you get your love of design? Definitely from my mother, who was an artist and an amazing goldsmith. She created beautiful intricate jewelry, including woven gold that she made by hand. She would literally melt gold coin, draw it into wire, fuse it into rings, and weave it.

Professionally, my dad was a banker, but he was really a man; he loved and appreciated art and antiques, loved to travel, and had a great eye. One sister is an interior designer, and another is a painter, who also made amazing jewelry with my mom. And I have a brother who isn’t in an artistic field, but he has a great eye, too.

I think we were born with artistic bents that were well nurtured. My parents loved collecting—furniture, objects, art, jewelry—and they passed that on to all four of their children. “My parents had the steel daybed; it’s French, but they found it in some antique store in London,” Waggoner says. “The tufted mattress is covered in a cotton velvet from Dominique Picquier and the pillows are velvet, Cambodian silk ikats, and alpaca pom-poms from Peru.” The drop-leaf table, an English antique, came from her grandmother’s house, as did the chairs, which are reupholstered in a Kate Gabrielle printed linen. Among the art works on the wall is the giant orange in a landscape, painted by Waggoner’s sister, Lysle Huddleston. Filed Under: Tagged With:, July 2, 2015 By.

We all love the New York Times’ distinctive “36 Hours” travel stories, in which a writer treks to some part of the world and tells us how to spend a small slice of time to get a real feel for the destination. And we especially enjoyed the paper’s ” published in early June, in which writer Ingrid K.

Williams identifies our own as the “Ikea antidote.” “Ever wondered where to buy a wooden steamer trunk that very likely crossed the Atlantic in the mid-1800s?” Williams writes. “Then you’ll be delighted to discover Alex Raskin Antiques, in a rambling four-story mansion that’s in an advanced state of deterioration. Explore once-grand halls that overflow with furniture, art, books, rugs and historical curios.” Filed Under: Tagged With:,,, March 23, 2015 By. On curule supports, with leather writing surface Where it’s from: Cocktail-party tidbit: “Curule” refers to the legs’ x-shaped, crisscrossing structure, and dates all the way back to the ancient Romans (who are said to have borrowed the idea from the ancient Egyptians). Download Free Software Ryuichi Sakamoto Cm Tv Rarities. The x-shaped form originally appeared in, called sella curulis, upon which Roman magistrates would sit.

The wide x of the chairs’ legs were one feature: The others, low back and no arms, made the chairs uncomfortable to sit in for long periods of time, indicating that the Roman leaders should handle their business efficiently. The curule design element has endured for thousands of years, enjoying starring roles in the and, among other eras.

Filed Under: Tagged With:,,,,,, March 17, 2015 By. If you use Instagram or Pinterest for design inspiration, chances are you’ve peeked inside the Los Angeles home—dubbed “the Jungalow”—of designer.

Her style is an enviable mash-up of bohemian cool and vintage charm with a strong sprinkling of global influence. Here’s how she pulls it off. What’s your inspiration for designing your own home? The Jungalow is wild like the jungle, but cozy and homey like a bungalow. I tend to layer colors and pattern and include plenty of greenery.

I like to mix old and new and create unexpected vignettes. I am a maximalist, and I love to mix pieces from different cultures: a with a Kantha-covered and a wedding blanket next to a Serape and. That’s the global vibe that inspires me so.

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